Psst! Skip on the viral promotion! Pass it on....
A couple of days ago, a Reuters story surfaced about how the RIAA is less-than-thrilled with viral distribution of music videos - particularly with the all-you-can-eat buffets of YouTube and others. Once solely a promotional tool, music videos have recently been offered for purchase, and (according to the article) have accounted for $3.7 million in 3 months of sales alone. Thus, the RIAA is looking plug up any holes of potentially lost revenue and direct users seeking these works to the label-backed services such as iTunes, Google Video, Urge, etc.
While you could weigh in on either side of this argument, my fear is how this will affect Machinima works (as well as AMVs and other home-brewed creativity) in the future. One of the great uses of Machinima is being able to create music videos - to be so moved by a piece of music, that you feel inspired to put your own vision to it. Just as the majority of narrative Machinimas are homages to the games by which they're developed from, these works show a deep appreciation to the artists who create the music (yes, even the aforementioned WoW/Guild Wars/"Can't Touch This" vid).
Soon enough, YouTube and others will have (if they don't already), a "copyright task force" monitoring their systems for any content seemingly unlicensed. This will most likely be partnered with stronger messaging at the POT (point of transfer). Right now, a Machinimist can upload their music video work without fear of takedown (for the most part) - however, once these services have stemmed the tide of unauthorized uploads of music videos, there's no doubt they will shift their focus to the "unofficial" videos - the ones the fans are producing to show off their work combined with their favorite music. Surely, these can only be good for the recording industry. In fact, I know first hand that it has a positive effect--quite a few emails have been sent to me by people who were introduced to Breaking Benjamin through my Still Seeing Breen vid, who in turn, purchased the artist's CD. But given the RIAA's "no comment" to Cory Doctorow's inquiry surrounding RPGFilms.net last year, it's only a matter of time before they disrupt these new "word-of-mouse" channels themselves.
To end on a somewhat up note - here's two CC-linked music videos: Code Monkey by Jonathan Coulton - a Machinima music video made by Frank Dellario of the ILL Clan, and a real fave band of mine, Pearl Jam's "Life Wasted" music vid, released under the CC Attribution-NonCommercial-NoDerivs 2.5 license.
While you could weigh in on either side of this argument, my fear is how this will affect Machinima works (as well as AMVs and other home-brewed creativity) in the future. One of the great uses of Machinima is being able to create music videos - to be so moved by a piece of music, that you feel inspired to put your own vision to it. Just as the majority of narrative Machinimas are homages to the games by which they're developed from, these works show a deep appreciation to the artists who create the music (yes, even the aforementioned WoW/Guild Wars/"Can't Touch This" vid).
Soon enough, YouTube and others will have (if they don't already), a "copyright task force" monitoring their systems for any content seemingly unlicensed. This will most likely be partnered with stronger messaging at the POT (point of transfer). Right now, a Machinimist can upload their music video work without fear of takedown (for the most part) - however, once these services have stemmed the tide of unauthorized uploads of music videos, there's no doubt they will shift their focus to the "unofficial" videos - the ones the fans are producing to show off their work combined with their favorite music. Surely, these can only be good for the recording industry. In fact, I know first hand that it has a positive effect--quite a few emails have been sent to me by people who were introduced to Breaking Benjamin through my Still Seeing Breen vid, who in turn, purchased the artist's CD. But given the RIAA's "no comment" to Cory Doctorow's inquiry surrounding RPGFilms.net last year, it's only a matter of time before they disrupt these new "word-of-mouse" channels themselves.
To end on a somewhat up note - here's two CC-linked music videos: Code Monkey by Jonathan Coulton - a Machinima music video made by Frank Dellario of the ILL Clan, and a real fave band of mine, Pearl Jam's "Life Wasted" music vid, released under the CC Attribution-NonCommercial-NoDerivs 2.5 license.





4 Comments:
*ahem* I believe that's "CodeMonkey," Paul. :)
Thanks for the links... we can only hope that the music execs realize all the free marketing they're getting, but I'm not holding my breath. A better arrangement might be for Machinima artists to get together with musical groups who haven't yet hit the big time and know the value of free publicity (I've run across a couple interesting folks playing locally, like "So I'm Told" and Allison Wood. I think they're both on Myspace). It'd also be a nice excuse for Machinima folks to network with their friends in the indie music scene.
Alex has a good idea there, Paul. Staying away from mainline music and working with like minded independents is really a good way to go.
Great links, Paul. The Code Monkey vid was great. But doesn't Lionhead own the rights to their material? Did you guys work something out with them?
-gToon
I live in Austin. You can't spit without hitting a garage band. Also, amateur techno composers are all over the internet like fleas on a feral dog. What's hard, to my mind, is when you need orchestral, choral, jazz, or pretty much anything else that usually isn't done in a basement by 1-5 college students.
If I want big band music for my 1940's film, I've got all kinds of problems. Even if I found a group of performers willing to work for cheap (there are a few high schools with excellent jazz bands), there's still a matter of obtaining rights to distribute a recording of the compositions they'd be playing. Ugh!
Machinima videos for bands who aren't scared of the Net is a good combination. I think that masch-ups are going to get more and more popular.
On a related front, as someone living in Edinburgh, I'm enjoying all the use that BloodSpell is making of local bands. It's all joyfully incestuous.
Tess: Have you tried any of those Creative Commons powered search engines to find music with appropriate rights granted explicitly?
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